德国电影和剧场导演、行为艺术家克里斯多弗·施林根西夫在九十年代末进军电视界，努力瓦解这一媒介的固有模式，使得艺术与政治之间的界限愈发模糊。他1997年为德国私立电视台RTL和Sat 1以及奥地利公共广播集团ORF制作的8集脱口秀节目“Talk 2000"是其中最为著名的作品。施林根西夫宣称，他想通过这部脱口秀节目证明，任何人都可以成为谈话节目的主持，以此嘲讽了常见的政论节目中嘉宾与主持之间毫无意义的喋喋不休。这部节目后来被称作电视讽刺节目的始祖。
节目在柏林著名的人民剧院（Volksbühne）取景录制，剧院舞台被改造成了一间酒吧，观众们摩肩接踵坐在吧台前餐桌旁，场景混乱。而造访的嘉宾则是德国各界的名流，纷纷讶异于节目流程的随机。而主持人施林根西夫则随意扯起话头，时而谈及私人话题，时而展露政治倾向。一集里，他号召德国六百万的失业者在窗口大喊“杀死赫尔...
FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FP under Jrg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christop...
In this outrageous short - shot for the inauguration of the movie organ at the Film Institute in Duesseldorf, Germany - Schlingensief demonstrates that he's quite able to put his disjunctive, aggressive punk style to a purpose. Filmed in the manner of a silent movie, complete with all the breaks, smears and distortions of an eighty-year-old copy, this film lumps together quite ...
唱歌，跳舞，空气吉他——二十名参赛者在比赛评委严酷的标准下进行角逐，这部电影杜撰了一个假想的团体，将奇特古怪之人贴上残障者的标签进行商业活动展示。影片打破媒体禁忌，邀请到柏林某残障中心的二十名就住者成为歌手比赛选拔的对象，将德国音乐电视台的六集节目的高潮内容和未播材料相结合，同时穿插政治脱口秀和购物节目，最终成为对RTL电视台狂热电视选秀作出的揶揄回应，也是对所谓的正常社会将“特殊人群”归为残疾行为的讽刺。（豆瓣电影字幕翻译2.0小组）
This is one of the short "crime movies", that the young Schlingensief shot with amateur actors and no budget in the 70′s.
Mummys boy wants to get famous by shooting a movie with his friends - of course, everything goes wrong...
Shot in complete darkness during 16 straight hours in an original World War II bunker, the only light source is Christoph Schlingensief's flashlight guiding Voxi Brenklau's camera through the controlled chaos. Neither cast nor crew were allowed to go outside until the film was finished. Laying the groundwork for Schlingensief's later works on- and off-stage as well as his TV S...
