改编自同名短片。
In a sophisticated near perfect society 'Schirkoa', where citizens live with paper bags on their heads to dissolve differences, nomadic free thinkers have developed physical anomalies and are banished to live as refugees in an eerie separate state. A fresh council member bag-head number 197A accidentally sparks a revolution in Schirkoa and flees to the forbidden refuge...
When asked what drives a man to search for the truth, Lieutenant Papauran says dejectedly that maybe he just wants to keep inflicting pain on himself. Faced with President Duterte’s bloody murders and brazen lies, he continues his struggle to solve a fifteen-year-old case around an ash-laden landscape and an impenetrable lake. It has become a cross he can barely carry but keeps...
The Philippines is visited by an average of twenty to twenty eight strong typhoons and storms every year. It is the most storm-battered country in the world. Last year, Typhoon Yolanda (Haiyan), considered the strongest storm in history, struck the Philippines, leaving in its path apocalyptic devastation.
因为今年是威尼斯电影节70周年华诞，陈可辛与贝托鲁奇、金基德、贾樟柯等全球知名导演，以“重启未来（Future Reload）”为题，拍摄了70部短片，向威尼斯电影节“祝寿”。28日当地时间22时，这70部短片正式播出。
Erwin ROMULO, the late Alexis TIOSECO’s best friend, recalls the events of TIOSECO and his girlfriend’s untimely death. DIAZ makes use of one long take to allow ROMULO an uninterrupted narration of the events. The pain of recalling is palpable. ROMULO is transformed into a classic DIAZ protagonist, a man who is continuously burdened by the irrationalities of the society.
Not so much a documentary, nor a compendium of interviews, but an almost rarefied glimpse into a wholesale revolt from a rigid paradigm long upheld by the west as the only way to make a film.
On an island far from the main land of the Philippines, islanders who used to be wealthy go through economic difficulties when a goldmine company withdraws from the area. Ferding, Santos and Willy only drink in despair. One day, a Canadian woman’s visit changes everything.... Through the expression of the contradictory nature of the prosperity development brings and the environ...
In his trailer for the Viennale, THE BOY WHO CHOSE THE EARTH, Lav Diaz tells the story of a boy who has aspirations – he educates himself and forges plans. One day there’s a knock on the door, someone leaves and he is literally left out in the rain. Thunder cracks and lightning flashes, water pelts down and engulfs everything. Incredulously, the boy looks up to the heavens – is...
Those who fought for independence in the Philippines die off, and the leader of the political movement disappears. Those left behind fall in despair, and the lost souls of the dead roam the earth. The voice of the vanished leaves a small line of hope in this futile world. This is the beginning of Lav Diaz’s epic poem depicting despair and hope.
2月11日晚7点30分,第66届柏林电影节如约而至。开幕影片《凯撒万岁》在柏林宫举行了放映。影片导演科恩兄弟,主演蒂尔达·斯文顿、乔治·克鲁尼、查宁·塔图姆、乔什·布洛林、阿尔登·埃伦瑞奇等人亮相红毯。而华人影星方面,《长江图》的导演杨超,也和该片的男女主角秦昊、辛芷蕾一同亮相。评委会主席梅丽尔·斯特里普等人也均亮相红毯。
呼应今年（2018年）柏林电影节为女性发声的主题，颁奖典礼上最大赢家是罗马尼亚女性导演阿迪娜·平蒂列的长片处女作《不要碰我》，一举夺得了金熊奖和最佳处女作奖。评审团大奖《面目》同样来自女性导演玛高扎塔·施莫夫兹卡。此外，老年女同题材的《女继承者》则获得了最佳女演员和阿弗雷鲍尔奖。
20世纪70年代末期，一支由军队控制的民兵团体控制了菲律宾丛林中的一个遥远村庄。士兵们身着制服，手握机关枪，在村子里散布肉体和精神上的恐惧。他们使得村中邻里之间反目为敌，并试图根除村民们对传说和神灵的信仰。勇敢的年轻医生洛雷娜为贫苦人家开设了诊所，却随后消失不见。她的丈夫雨果·海尼威是一名诗人、社会运动家和老师，打算去寻找妻子的下落。而当他到达这个村庄时，他遭遇到了一个被专治和暴力摧毁的社群。
