一战以前，影院的的艺术家和诗人往往都是激进分子，他们热衷于拍电影并把这种艺术形式向新的方向发展，他们被排除在艺术领域和电影工厂之外，像是被困在一座孤岛上，他们大胆的创造出自己的电影世界并拥有一个自己的工作网络，并作出了不可估量且有力的贡献
This feature-length documentary provides a vivid, eye-opening, and appropriately personal introduction to one of the most important, yet perpetually marginalized, realms of filmmaking: avant-garde cinema.
Achieving the near-impossible task of doing justice in ...
My film diaries 1970-1979: my marriage, children are born, you see them growing up. Footage of daily life, fragments of happiness and beauty, trips to France, Italy, Spain, Austria. Seasons of the year as they pass through New York. Friends, home life, nature, unending search for moments of beauty and celebration of life friendships, feelings, brief moments of happiness. The fi...
Walden (Diaries, Notes & Sketches) de Jonas Mekas états-Unis, 1969, 16mm, 180’, nb et coul., vostf filmé entre 1964 et1968, monté en 1968-1969
Walden est le premier des journaux de Jonas Mekas, rassemblés sous le titre générique Diaries, Notes & Sketches – le premier monté, même si Lost Lost Lost, achevé en 1976, montre la période précédente, de 1949 à 1963.
Depuis 1950, je n...
影片是一部影人传记式的纪录片，《玛雅黛伦的魔镜》（In the Mirror of Maya Deren）是一位醉心于实验电影的女导演玛蒂娜库拉席克，追溯前辈玛雅黛伦生平的作品，玛雅黛伦不仅对前卫电影与女性电影多有启发，她对巫毒教的热中，也是这部片的另一条重要线索。
