A programme made to mark Sir John Gielgud's 90th birthday. From the stage at the Old Vic, where he first walked in 1921, Gielgud discusses some of his key performances over seven decades. Sir Peter Hall and Sir Alec Guiness comment on his work.
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A 1968 entry in the BBC's venerable 'Omnibus' series, wherein film historian/collector/director/impresario and cheerleader without portfolio Kevin Brownlow asks the Musical question, Why has Abel Gance, this relentlessly inventive film artist of almost occult formal gift, been so comprehensively forgotten
It is a question, admittedly, more pressing in 1968 (when Gance really w...
In this series, we follow the life of the legendary movie comedy giant from his childhood on the stage to his film career. Along the way, we learn of the works of this genius and his methods in creating them. Furthermore, we see how events drove him to ruin and how they turned around in his later years to allow him to enjoy the acclaim that was his due.
这是一部难得一见的珍贵纪录片。1985年，第一个西方现代摇滚乐队到中国是个什么场景？中国人第一次到听摇滚演唱会是个什么状态？那时的中国市井人相是什么样子？23年过去了，重新看到一定会让你吃惊不小。
打开国门没有多久的中国人开始用惊讶的目光窥探外面的天地。1985年，英国威猛乐队（Wham! ）1985年在北京工体和广州越秀山举行了两场演唱会，此片全程记录了威猛乐队抵华后的官方和民间的交流过程。中外双方似乎都对对方都一无所知，但求知、好奇和热情驱动着他们共同演绎这场奇异的旅程。除却现场演出部分，此片为难得一见的对20世纪80年代初中国影像文献，值得一看。
这被认为改变了大陆流行音乐史；并被认为是西方流行音乐首次获许在1949年后的中国大陆举行演出，虽然在1981年, 法国电子音乐家雅尔（Jean Michel Jarre）亦曾来华演出。
对于身处21世...
An impassive young girl is taken from her suicidal London life, back to her home in North England on a bizarre bus trip. Seen through the poetic eye of the camera, this is a commentary of doomed British morbidity. In HD.
Das vom Hessischen Rundfunk produzierte Filmmagazin berichtete über Dreharbeiten zu aktuellen Filmen und Proben zu Bühnenproduktionen und zeigte Interviews mit Stars und Machern.
Chris Wade's documentary film is a personal, intimate and affectionate look at the life and work of Lindsay Anderson, the legendary film and theatre director behind if. - and O Lucky Man. With new recollections from director Stephen Frears, if - star David Wood, plus actor and friend Brian Pettifer, Memories of Lindsay Anderson paints a portrait of a stubborn, self assured arti...
As part of British Film Year Thames Television asked three British film directors (Lindsay Anderson, Alan Parker and Richard Attenborough) to each make a documentary on British Cinema. Lindsay Anderson's programme looked at the history of 'Free Cinema' which, he argued, started with the work of Humphrey Jennings and ended with Britannia Hospital . Anderson used the programme as...
