First composed and performed in 1965, Variations V is a true testament to 1960's experiments with "intermedia"—a coexistence and cutting across of artistic genres that profoundly informed Cunningham's choreographic practice. Video is materially integrated into the performance, with projections by Stan VanDerBeek and overlaid TV distortions by Nam June Paik enveloping the dancer...
Nam June Paik and Jud Yalkut, Video Commune (Beatles Beginning to End), 1970 (still), reedited 1992. 16 mm film transferred to video. Produced by WGBH-TV, Boston. San Francisco Museum of Modern Art, gift of the Hakuta family
Drawing from Paik’s earliest experiments with video synthesizers, Analogue Assemblage employs current technology to create a multilayered montage that references both the old and the new. The eerie 1969 electronic score floats over ghostly image processing; the result is a paean to the way the future was.
In a radical action like Nam June Paik destroying a violin, and rolling up in bandages the bodies of the players in in a concert by Yoko Ono, the international avant-garde group Fluxus changed not only art, but the concept of it.
Fluxus Replayed is a document of a 1991 performance in New York, which reproduced historical Fluxus performance pieces from the early 1960s. The S.E....
一战以前，影院的的艺术家和诗人往往都是激进分子，他们热衷于拍电影并把这种艺术形式向新的方向发展，他们被排除在艺术领域和电影工厂之外，像是被困在一座孤岛上，他们大胆的创造出自己的电影世界并拥有一个自己的工作网络，并作出了不可估量且有力的贡献
This feature-length documentary provides a vivid, eye-opening, and appropriately personal introduction to one of the most important, yet perpetually marginalized, realms of filmmaking: avant-garde cinema.
Achieving the near-impossible task of doing justice in ...
My film diaries 1970-1979: my marriage, children are born, you see them growing up. Footage of daily life, fragments of happiness and beauty, trips to France, Italy, Spain, Austria. Seasons of the year as they pass through New York. Friends, home life, nature, unending search for moments of beauty and celebration of life friendships, feelings, brief moments of happiness. The fi...
31:36, 1984, color, sound
In this videotape, Nam June Paik pays tribute to a number of pop stars in his pan-cultural pantheon. He re-enacts certain Fluxus musical performances of the 1960s and 70s including those with the destruction of a piano and the concert with Charlotte Moorman on the cello.
A synthesised Sakamoto portrait, an interview with Charlotte Moorman, interviews w...
