Das Immanuel-Kant-Krankenhaus in Berlin-Neuklln um Mitternacht. Ein Patient wird gerade eingeliefert. TV-Journalisten sind vor Ort. Der Anfang einer Geschichte, die sich selbst erzhlt. Das groe Selbstportrait des Berliner Filmemachers mit allem was dazugehrt. Ein bisschen Selbstdarstellung, bisschen was Schwules und das Ganze ist absolut unverwechselbar und langweilig sowie...
The elephant made of ivory is a cycle of eight dances of death in which one performance artist is interacting with a skull. A young woman climbs up the stairs, opens a bird cage filled with feathers and lets the feathers fly into the backyard. She starts to dance inside of a vast, empty, silvery shining warehouse. There is a notion of alienation within these images since the fi...
My first video take, - a film, that rhymes between the lines.
Der Film erzhlt vom Rhythmus des Lebens und der Lebensalter. Beschaulich-ruhige Bilder wechseln mit "visuell-schmerzhaften" Bildern (z.B. Selbst-Piercing). Mir ging es in dem Film nicht nur darum, die Motive bzw. die Motivation der Darsteller zu dokumentieren, sondern auch darum, diese Inhalte für den Zuschauer unmittelbar erlebbar zu machen. [...]
Mit dem Film ACHTUNG-Die Ac...
JESUS - THE FILM is a monumental feature film in 35 episodes, shot on Super8. The individual episodes retell the story of the New Testament and were made by a total of 22 filmmakers from East and West Germany in 12 months. The project's own history follows the story of Jesus Christ recruiting his apostles. The film's creator Michael Brynntrup is a central and controversial figu...
Berlin, 1993. Photographer and artist, Jürgen Baldiga, battles HIV. In the 1990s, the AIDS epidemic reached its climax, to which no one was prepared. Infected bodies and their stories diminish, erasing their existence. Through the death of his friends and subsequently his own, Baldiga becomes the chronicler of his time: "I am taking a picture. I photograph the world. I exist." ...
Using found footage from the early 70s porn films, Michael Brynntrup creates a humorous and titillating moving collage of mediated erotic imagery - one that keeps promising the viewer always anticipated cum shot, as well as asking the question, "How 'graphic' does an image have to be before it comes pornographic"All You Can Eat by Michael Brynntrup takes the 'cum-shot' to ne...