Portrait of American-born Greek soprano Maria Callas with excerpts from the following programs or films: "Grande Nuit de l'Opéra 1958", "Trois Jours avec Maria Callas", "L'invité du Dimanche", and "Médée" (1969) by Pier Paolo Pasolini.
It's hard to approach the good and bad in this film without being caught up a discussion of the message of BOSNA!, for this is a film that explicitly sets out to convert its audience to its side, to make people aware of the war and to try to influence them to pressure their governments to intervene. It's a film that's very aware of itself, of the process of its making and of th...
