A day in the life of Sena, who lives in a cinema's projection booth, in Sarajevo, screening the few Yugoslavian films of which copies still remain, taking us on a journey through her past
To be captive is to be confined, both in space and in time. The captive one is not only and necessarily a prisoner, but becomes an inherent part of that space, his identity being continually projected on it. The captivity space itself is in turn not inert it is rather characterized by whomever it contains, it is shaped by that experience.
Caught in time, a trio of prehistoric characters lives around a dolmen. One of them, who is hyperactive, tries to stir his mates emotions with inventions and works of art. A strange object made out of bone, which re frames reality, will trigger greed and envy in them. Super 8 allegorical on Portugal, and the collective behavior of its people.
Part of the job of day-to-day daydreaming is to constantly learn. From the imagined idea to the visible object, the films' rituals of creation are a slice of everybody's lifetime. We are here to experience the complicity of a collective, albeit intimate, work. To glimpse over the strange poetry released by gathering this group: how these personal universes are eager to merge in...
In an ominous Lisbon courtyard where the last executioner of the kingdom once lived, an accident is waiting to happen. After a patient game of who's observing who, four characters will collide with dire consequences. Based on the short story A Fratricide by Franz Kafka, this is a masterclass in slow cinema, a pure 16mm cinematic pleasure by André Gil Mata.
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In a lake surrounded by buildings, a man builds a boat. The dream of an impossible journey, in freedom's search of the memories from an eternal past. A reflection on the effect of time and space's metamorphoses in a man's life and in his happy death
