At a high mountain hotel in Norway the porter Poppe tries to do the best he can for the guests with an often unhelpful piccolo Rudolf. This, however, leads to a lot of problems, and Poppe thinks some of the guests behave inappropriate.
A working class family of eight living in Oslo are squeezed into a two room flat in this comedy/drama. The eldest daughter is unhappy with waitressing as she wants something more glamorous in her life, and her new choice of friends is dubious at best.
The first Norwegian film to be directed by a woman, also considered as the first Norwegian Film Noir.
Wealthy socialite Sonja meets handsome, muscular mechanic Erik when she drops off her car for reparis. Instantly attracted to each other, they eventually break off relationships to be together.
A teacher returns home from an excursion and realizes there’s been no sight of his wife Eva since the day he left. A criminal detective starts to investigate. Shortly afterwards, the body of a woman is found in a river. Suddenly a mysterious stranger calls on Eva’s husband, who calmly and ominously tells him some unknown and undreamt-of pieces of information about his wife. The...
17岁的格尔德是一位单身母亲的私生子，她已陷入犯罪。在她在警方拘留所呆了一段时间后，格尔德的男朋友，一个学生，违背了他的父母，把她带到了国外，以保护她免受恶劣影响。这对年轻夫妇在森林里的一个偏僻小屋里呼吸着新鲜空气和爱情，直到一个漂泊者出现，他完全符合杰拉德的喜好……不像美国青少年电影中关于青少年犯罪的故事，伊迪丝·卡尔马的第十部电影同情一个像她脆弱一样活泼的青少年的困境。20岁的丽芙厄尔曼首次担任主角，她穿上别具一格的造型，给年轻人的设计风格增添了一些元素——可乐、牛仔裤和爵士乐。不是每个人都觉得这是好事。“她的脸活泼而富有表现力，而且她有性。伊迪丝·卡尔玛过于强调她的胸部和大腿是多余的。丽芙·乌尔曼不是碧姬·巴多特式的。“她有更微妙和更重要的手段可供她使用，”莱夫·博尔特在奥斯陆日报威尔登斯帮上写道。
