Panagis Pandoras: a wealthy psychiatrist, from a publishing background, charming and unscrupulous. Tzortzina Tzelepi: an unemployed actress, daughter of a bourgeois couple, beautiful and determined to succeed. The two of them, despite being polar opposites, suddenly fall in love, recklessly and passionately, and get married. Tzortzina, in a desperate effort to fit in Panagis's ...
In the film Acropolis, 2001, the film-maker Eva Stefani deconstructs the ideological use of the Parthenon by juxtaposing views of the monument to views of female bodies from super 8 pornographic footage. The juxtaposition evokes comparisons of feelings of desire and practices of commercialisation, with the monument remaining mute, like the women in the super 8.