In five chapters with titles borrowed from Dostoevsky to Arthur Rimbaud and Walter Benjamin, the film passes from the port town of Calais to Paris, from black and white to color, from silent to sound, from super-8 to video, from stifled words to free jazz, the film testify the iniquitous policies which shape our time, and the character of certain political lives as migrants, im...
Blues and tenderness, artistic ambitions and daily dandyism : a chronicle of the AIDS years, haunted by the spectre of the lost lover.
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High tech sexual practices, classical melancholy, love story with images capable of sudden embodiment. “Bear witness to my period and my loves, loving becomes an act of resistance in a society where being is denied, reduced to one's purchasing power or otherwise considered throwaway. Consumer or consumed. I count on being to refuse the fate for which it seems destined.” (Lionel...
Rencontre à la Sorbonne entre Jean-Luc Godard et René
Vautier, le 4 novembre 2002. Les deux réalisateurs discutent
de la censure, de la distribution desfilms, de la place desimages
dans l’Histoire. Ils répondent aussi aux questions des élèves.
Aujourd’hui, peut-être que l’histoire peutaussis’écrire,
l’histoire, par exemple, du cinéma, peut aussi s’écrire à partir
desinterdits...
