This extremely rare and hardly known film (as far as I know, it was never released outside of Italy) is an interesting mix of a classic crime story and a typical giallo. In the first half of the film, there is only one murder to be solved, but as soon as the police comes closer to the truth, people are killed in usual giallo style, during thrilling and atmospheric intense scene...
I also must admit being surprised at the extreme obscurity status of this film. It may not be the greatest Italian crime-thriller of the 70's but it's undeniably great entertainment, stuffed with sadistically violent images and long gratuitous scenes of sleaze and full frontal female nudity. If that doesn't appeal to avid Euro-cult cinema fanatics, then I don't know what else d...
E Ridendo l'Uccise is the fifth collaboration between director Florestano Vancini and composer Ennio Morricone (and the first since 1993's Piazza di Spagno). With its baroque stylings, ever-present harpsichord and occasional flurries from recorder, piccolo trumpet and choir, the score has a passing similarity to one of Morricone's greatest recent works, the extraordinary Vatel...
阿兰（Antonio De Teffè 饰）是一位非常有钱的爵士，深爱自己的妻子艾芙琳，然而，艾芙琳却选择了背叛她。最终，艾芙琳死了，但她的鬼魂似乎被困在了古堡之中，夜夜陪伴着阿兰，这令阿兰感到非常的痛苦，他的精神开始濒临崩溃的边缘。
阿兰将对妻子的仇恨转移到了其他女子的身上，他专门挑选样貌和他的妻子相似的红发女子，将她们哄骗到古堡中，再施以毒手。这一天，阿兰邂逅了名为格拉迪亚斯（玛丽娜·马尔法迪 Marina Malfatti 饰）的美丽女子，这一次和以往不同，阿兰是真的爱上了格拉迪亚斯，他娶她为妻，将她迎进古堡之中，但很显然，格拉迪亚斯的存在让艾芙琳非常非常非常的不高兴。
