A Serbian mother and daughter transform the domestic drudgery of cleaning the family silver into a reflection on how heirlooms embody their owners' histories. Stories of war, displacement and revolution emerge as the tarnish is polished off, like a genie rubbed out of a lamp, and recollections reconnect them to their relatives through the shared objects that have touched all of...
乐卡康斯坦丁南维克担任南斯拉夫总统约瑟普布罗兹铁托的私人电影放映员长达32年之久。期间，他向铁托放映了共8801部影片。他和南斯拉夫的导演、电影明星和工作室老板们一起讲述铁托（1892-1980）是如何构建战后的南斯拉夫、同时也利用电影业来建设这个新国家的故事。理查德伯顿、索菲亚罗兰和奥森韦尔斯等明星的诞生，给这种努力增添了一丝光彩。他们出现在许多由南斯拉夫资助的电影巨作中，《电影主义》通过采用许多已被遗忘的南斯拉夫电影片段讲述了南斯拉夫的故事—--这种讲述方式从未呈现于屏幕。通过拼凑在一起的独家幕后档案，本片再现了一个国家的故事，也许这个国家本身就是一部小说。
In an unexplored vault in Belgrade, the capital of the former Yugoslavia, lies a collection of films known as “the Labudovi Reels.” On them are images of African and Asian liberation movements and revolutionary leaders that defined the era of the 1960s. How is it that the archive of these revolutions lies on another continent, forgotten in a film archive The answer to this qu...
What do the Algerian war of liberation and Yugoslavia have in common Stevan Labudovi. In 1959, Tito himself sent his favourite cinematographer to Algeria. The resistance against the French colonial rule needed the eyes of the world, and the experienced partisan Labudovi helped open them: His images gave the lie to the propaganda of the occupiers and their Western allies. Thi...
贝尔格莱德的一间公寓内，一扇上了锁的门将一个家庭与他们的过去分隔了70多年。随着导演与她母亲的一场私密谈话，贯穿这个家的政治断层线揭示出一座被历史萦绕的房子、一个被历史萦绕的国家。
这个塞尔维亚家庭的编年史展现了一个活动家在大动乱时代的鲜明形象，质问每一代人应该承担怎样的责任、如何为自己的未来奋斗。
